In conversation with Amanda Windred
Tell us about your involvement in ‘The Sea’
In The Sea, I have the privilege of being one of six singers in the cast. We delve into profound themes of human nature, the intricacies of interpersonal relationships, and the destructive effects of power on the human psyche. My role is pivotal to the narrative, portraying a character deeply impacted by the overwhelming influence and manipulation of power. This part offers a rich opportunity to express a spectrum of emotions and experiences, highlighting the transformative impact of power on individual lives and stories.
Have you sung new opera before?
In Sydney, I had the fortunate opportunity to be involved in the first workshop performance of Cloudstreet The Opera composed by George Palmer and Tim Winton as librettist and Daisy Bates at Ooldea composed by Anne Boyd and Bob Reece as librettist.
How have you found working on this new work?
Approaching new works often brings initial apprehension, but collaborating with Evan, Kate and my colleagues has been extraordinary. Their professionalism and dedication have been inspiring, making me proud to contribute to this work.
Why are new operas important?
Though traditional operas hold enduring value, new works are essential for revitalising an industry in need of innovation. Historically, operas were once new and controversial. The arts, particularly music, are platforms for boundary-pushing and bringing critical issues to public attention. New operas are crucial for telling contemporary stories, often best expressed through opera or classical music.
What would you say to convince someone who is considering attending?
Experiencing a world premiere isn’t an everyday opportunity. Combined with world-class talent and a narrative-challenging piece, come and join us on this journey of The Sea which will leave the final question to you. Would you choose to stay or would you go.
What are you working on after ‘The Sea.’
Post The Sea, I am excited to be reprising one of my favourite roles Marcellina in Le Nozze di Figaro with Melbourne Opera, to be staged in both Melbourne and Bendigo in February 2024. A definite shift of tone and style!
Tell us your three favourite composers and why
Only 3? That is a very difficult choice, there are so many options for so many different reasons! If I must choose, I would say the following.
Richard Wagner for his epic world-building, akin to JRR Tolkien or the Marvel Universe for my non-classical music enthusiasts.
Benjamin Britten for his complex provocative compositions that continue to polarise audiences.
Giacomo Puccini for his unparalleled ability to infuse raw emotion into characters and narratives, especially his verismo works.
Amanda joins Forest Collective in the world premiere season of Evan J Lawson and Nicole Butcher’s new opera The Sea playing 7 -10 December at Abbotsford Convent.
